Oct. 29th, 2017

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ENDLESS LIST OF MY FAVORITE CREATIVE WORKS: WHAT WE DO IN THE SHADOWS

Vampires have had a really bad rep. We’re not these mopey old creatures who live in castles. Well, some of – most of us are, a lot are. But there’s also those of us who like to flat together in really small countries like New Zealand.
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horroredits:

The Love Witch (2016) dir. Anna Biller
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starbucky:

the kind you stop. the kind you save.
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sarahnevra:

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catwinchester:

evieplease:

iamthebadwolf85:

taste-like:

nem sirok csak 65ezren belementek a szemembe

A crowd of 65,000 sings ‘Bohemian Rhapsody’ perfectly while waiting for a Green Day concert

THIS. IS. PERFECTION.

@catwinchester

Amazing! 

1. how the fuck did Green Day follow that

2. you know, we have fun here, with the word “meme,” but according to meme theory, which is an actual thing pioneered by reptilian human impersonator Richard Dawkins in his 1976 book The Selfish Gene, most of what we call memes are very unsuccessful memes. A meme, in the scientific sense - if one is generously disposed to consider memetics a science on any particular day - is an idea that acts like a gene. That is, it seeks to replicate itself, as many times as possible, and as faithfully as possible.

That second part is important. A gene which is not faithful in its replication mutates, sometimes rapidly, sometimes wildly. The result might be cancer or a virus or (very very very rarely) a viable evolutionary step forward, but whatever the case, it is no longer the original gene. That gene no longer exists. It could not successfully reproduce itself.

The memes we pass around on the internet are, in general, very short lived and rapidly mutating. It’s rare for any meme to survive for more than a year: in almost all cases, they appear, spread rapidly, spawn a thousand short-lived variations, and then are swiftly forgotten. They’re not funny anymore, or interesting anymore. They no longer serve any function, and so they’re left behind, a mental evolutionary dead end.

This rendition of Freddie Mercury’s immortal opera Bohemian Rhapsody is about the most goddamned amazing demonstration of a successful meme I’ve ever seen. This song is 42 years old, as of 2017. FORTY TWO YEARS OLD. And it has spread SO far, and replicated itself across the minds of millions of people SO faithfully, that a gathering of 65,000 more or less random people, with nothing in common except that they all really like it when Billie Joe Armstrong does the thing with the guitar, can reproduce it perfectly. IN PERFECT TIME. THEY KNOW THE EXACT LENGTH OF EVERY BRIDGE. THEY EVEN GET THE NONSENSE WORDS RIGHT. THEY DIVIDE THEMSELVES UP IN ORDER TO SING THE COUNTER-CHORUS. 

“Yeah, Pyrrhic, lots of people know this song.”

Listen, you glassy-eyed ninny: our species’ ability to coherently pass along not just genetic information, but memetic information as well, is the reason we’re the dominant species on this planet. Language is a meme. Civilization is a collection of memes. Lots of animals can learn, but we may be the only animal that latches onto ephemera - information that doesn’t reflect any concrete reality, information with little to no immediate practical application - and then joyfully, willfully, unrelentingly repeats it and teaches it to others. Look at how wild this crowd is, because they’re singing the same song! It doesn’t DO anything. It’s not even why they showed up here today! If you sent out a letter to those same 65,000 people that said, “Please show up in this field on this day in order to sing Bohemian Rhapsody,” very few of them would have showed up. But I would be surprised to meet a single person in that crowd who joined in the singing who doesn’t remember this moment as the most amazing part of a concert they paid hundreds of dollars to see.

And they’re just sharing an idea. It’s stunning and ridiculous. Something about how our brains work make us go, “Hey!! Hey everybody!! I found this idea! It’s good! I like it! I’m going to repeat it! Do you know it too?? Repeat it with me! Let’s get EVERYBODY to know it and repeat it and then we can all have it together at the same time! It’s a good idea! I’m so excited to repeat it exactly the way I heard it, as loudly as I can, as often as possible!!”

This is how culture happens! This is how countries happen! Sometimes a persistent, infectious idea - a meme - can be dangerous or dark. But our human delight at clutching up good memes like magpies and flapping back to our flock to yell about them to everyone we know is why we as a species bothered to start doing things like “telling stories” and “writing stuff down.”

“That’s a lot of spilled ink for a Queen song, Pyrrhic.”

Man I just fucking love people.

They harmonize too.  Some people are singing the low parts and some people are singing the falsetto on the chorus.

Plus, when the head-banging starts, watching the whole crowd bounce in perfect unison was fun.

If 2017 has a positive cultural memory, I hope it’s this.
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laterpeaches:

“So this is where Monet came to paint.”
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In all my works I take the part of trees as against all their enemies. Lothlórien is beautiful because there the trees were loved; elsewhere forests are represented as awakening to consciousness of themselves. The Old Forest was hostile to two legged creatures because of the memory of many injuries. Fangorn Forest was old and beautiful, but at the time of the story tense with hostility because it was threatened by a machine-loving enemy. Mirkwood had fallen under the domination of a Power that hated all living things but was restored to beauty and became Greenwood the Great before the end of the story.

It would be unfair to compare the Forestry Commission with Sauron because as you observe it is capable of repentance; but nothing it has done that is stupid compares with the destruction, torture and murder of trees perpetrated by private individuals and minor official bodies. The savage sound of the electric saw is never silent wherever trees are still found growing.


- Tolkien, J.R.R. The Letters of J.R.R. Tolkien. Ed. Humphrey Carpenter and Christopher Tolkien. (London: HarperCollins, 2006.) 420 (L339)
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jumpingjacktrash:

littlepinkbeast:

jumpingjacktrash:

my researches are leading me to some fascinating places today. i don’t know that i’m any closer to writing my reindeer herding shaman story, but dude, ice age land bridges are everywhere once you start looking.

Europe’s coastline has changed in some pretty impresive ways, even within recorded history. Those tales of sunken cities, drowned by the sea? There’s real cities down there, although the bells tend to be a little too corroded to ring any more.

and flood myths all over the world can be traced back to roughly the time when these coastal areas got submerged (and the black sea filled up). curiously, australian oral history is accurate enough to record specifically where the drowned hunting grounds were, like people can take you there and point at the ocean and go “ok so people used to hunt kangaroo out there at around the same time that this other place i told you about was a river instead of an inlet” and you can confirm the story with sonar and sediment cores.

so. cool.
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The English “please” is short for “if you please,” “if it pleases you to do this” — it is the same in most European languages (French si il vous plait, Spanish por favor). Its literal meaning is “you are under no obligation to do this.” “Hand me the salt. Not that I am saying that you have to!” This is not true; there is a social obligation, and it would be almost impossible not to comply. But etiquette largely consists of the exchange of polite fictions (to use less polite language, lies). When you ask someone to pass the salt, you are also giving them an order; by attaching the word “please,” you are saying that it is not an order. But, in fact, it is.

In English, “thank you” derives from “think,” it originally meant, “I will remember what you did for me” — which is usually not true either — but in other languages (the Portuguese obrigado is a good example) the standard term follows the form of the English “much obliged” — it actually does means “I am in your debt.” The French merci is even more graphic: it derives from “mercy,” as in begging for mercy; by saying it you are symbolically placing yourself in your benefactor”s power — since a debtor is, after all, a criminal. Saying “you’re welcome,” or “it’s nothing” (French de rien, Spanish de nada) — the latter has at least the advantage of often being literally true — is a way of reassuring the one to whom one has passed the salt that you are not actually inscribing a debit in your imaginary moral account book. So is saying “my pleasure” — you are saying, “No, actually, it’s a credit, not a debit — you did me a favor because in asking me to pass the salt, you gave me the opportunity to do something I found rewarding in itself!” …


- David Graeber in Debt: The First 5,000 Years (via mongoosenamedt)
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“People expected ‘Jennifer’s Body’ to make so much money,” Fox said flatly. “But I was doubtful. The movie is about a man-eating, cannibalistic lesbian cheerleader, and that pretty much eliminates middle America. It’s obviously a girl-power movie, but it’s also about how scary girls are. Girls can be a nightmare.”

- The Self-Manufacture of Megan Fox (The New York Times Magazine)
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ENDLESS LIST OF MY FAVORITE CREATIVE WORKS: SCREAM 2

There are certain rules that one must abide by in order to create a successful sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate – more blood, more gore – carnage candy. And number three: never, ever, under any circumstances, assume the killer is dead.
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blaineandkurt:

I don’t trust nobody and nobody trusts me
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