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gnossienne:
A re-viewing of The Talented Mr. Ripley, and I am quite undone at how divine it still is. Sun-kissed Ischian vistas, mid-century metropolitan ennui, pulsing Henry Scott Tuke-esque homoeroticism, glacial Hitchcock elegance, morning lolling about in piazza cafes and afternoons idling in the Musei Capitolini, typewriters and telegrams, capricious cruelty and horn-rimmed glasses, existential decadence amongst the ruins of iconoclastic piety, the curve of Matt Damon’s mouth (and Bosie-incarnate that is young Jude Law), and a bust of Hadrian as a murder weapon. It is, dare I say, my ‘aesthetic’?
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gnossienne:
A re-viewing of The Talented Mr. Ripley, and I am quite undone at how divine it still is. Sun-kissed Ischian vistas, mid-century metropolitan ennui, pulsing Henry Scott Tuke-esque homoeroticism, glacial Hitchcock elegance, morning lolling about in piazza cafes and afternoons idling in the Musei Capitolini, typewriters and telegrams, capricious cruelty and horn-rimmed glasses, existential decadence amongst the ruins of iconoclastic piety, the curve of Matt Damon’s mouth (and Bosie-incarnate that is young Jude Law), and a bust of Hadrian as a murder weapon. It is, dare I say, my ‘aesthetic’?
(Your picture was not posted)